There are obviously directories elsewhere which could be consulted, so it pays to consult all available published lists of photographers, as other researchers will have had access to a different selection. There are separate surname indexes to each of the old counties of Wales including Monmouthshire. The Glamorgan index does not include Cardiff as there was already a significant published index, but eventually I hope to create my own and add it to the site. I have retained the spelling of place names, as they appear in the directories. Directories were the equivalent of our Yellow Pages, i. It obviously took the publishers a while to collect the data, so the information was always slightly out of date.
Victorian photographic techniques
What was a gift of something I’d never book for myself turned out to be something great. I turned We had a really great time. The photographer was very professional.
Date. Hannavy, John. The Victorian Professional Photographer. Shire www. a list of Glamorgan.
Evening dresses were often off the shoulder. Hair was parted in the centre with ringlets at the side of the head, or styled with loops around the ears and pulled into a bun at the back of the head. Paisley or crochet shawls were fashionable accessories, as were linen caps with lace frills for indoor wear, and large bonnets for outdoors. Capes with large collars were fashionable. Very fashionable men sported low, tightly cinched waists, with rounded chests and flared frock-coats that gave them a rather hour-glass figure inspired by Prince Albert.
They also wore tight trousers and waistcoats, with high upstanding collars and neckties tied around them. Hair was worn quite long, but swept to the sides. Moustaches and side-burns were popular. The print is unusual in showing a dancer of the s in a fashionable dress rather than a ballet costume. During the s, women wore caps indoors and bonnets outdoors. The bonnet has wide brim sheltering the face, reflecting the heightened sense of propriety brought in when Queen Victoria ascended the throne in Fashions in hats and headwear changed more quickly than other items of clothing.
While a dress would be expected to last at least a decade, new styles of hats arrived annually.
How to Date Your Old Photos
Commercial portrait photography began in the s and old family photographs can portray ancestors from the early-Victorian era onwards. Many historic photos surviving today are undated and unidentified and we can use various methods to work out their time period:. This can help, but studio data may be elusive, patchy or too broad to pinpoint a close date for a given photograph. All available evidence should be considered, but often most useful for accurate photo dating are the picture clues, especially the fashions worn by their subjects: clothes, accessories and hairstyles.
Victorian dress styles were complex, determined by age, status and location: fashion also accelerated between the s and s.
The exhibition “Victorian Britain and Tintype Photograph” and accompanying book (in the works) are part of an endeavour to establish the British tintype as a.
The photographs below were left to me by my Nanna, Nellie Onions. On the basis of probability the people shown belong either to the Holland, Thomas, Onion or Paddy families. I’m still trying to work out approximately when they were taken but have included a rough estimate for each based on what clues I currently have. Many of the photographs were contained in a Victorian family album. The dating I have attempted has been on the basis of a very useful website maintained by Roger Vaughan and an equally informative book published by the National Archives by Robert Pols called “Family Photographs – “.
I would be particularly interested if anyone viewing them here was able to give a more accurate view. Please contact me on hollandfamilyhistory btinternet. This studio portrait was taken by G Atkinson photographers of Chester who seem to have operated under a franchise from a company called Electric Daylight Studios.
How to date Victorian and Edwardian photographs
The Gallery holds the most extensive collection of portraits in the world. Search over , works, , of which are illustrated from the 16th Century to the present day. Advanced Collection search. Past display archive 25 March – 10 November This display commemorates the centenary of the death of Alexander Bassano — who established one of the most important photographic portrait studios of the Victorian era. His sitters included royalty, aristocracy, politicians, and leading names from the military, sciences and arts.
Italian immigration in late-Victorian Britain. enlarge this picture. Italian Street Musicians in London, c. (Courtesy of The London School of Economics and.
National Trust curator Catherine Troiano reveals some of her tips on how to date early family photographs Images: National Trust. Later that year William Henry Fox Talbot introduced his negative-to-positive paper technique. As photography developed over the decades after its invention, so did its role in society and culture. Photography quickly became an important part of family life; a tool for creating memories, legacies and identities.
All of these photographs come from the National Trust which looks after collections across its properties. If you have Victorian or Edwardian photographs in your family album, these tips might help you date them. You can see more photographs in the collection at nationaltrustcollections. Family portraits such as this became common among the social elite in the later 19th century. Rather than the family going to a studio, this photographer was called out to the family estate where sitters could be photographed on their land and with their belongings.
Made using a four-lens camera, which captured eight negatives on a single plate, each image was cut up and mounted onto standard- size cards. Cartes de visite were comparatively inexpensive to sit for and they were widely collected and traded, becoming regular features of the Victorian parlour.
Impressive photos in Victorian costumes – Old & New Photography
The tintype was an early Victorian photographic process which enjoyed huge popularity in the United States of America after its introduction in the late s but it never achieved the same acceptance in Great Britain. Note the crazing of the collodion surface across the plate and the bubbling and rusting around the outside perimeter. In contrast, in the International Center of Photography in New York staged a dedicated exhibition entitled America and the Tintype which featured several hundred examples from both the Permanent Collection of the I.
Further more, the International Museum of Photography and Film at George Eastman House in Rochester, NY, currently includes a prominent display of tintypes in its history of photography gallery, directly adjacent to an American daguerreotype and also a calotype by D. Hill and Robert Adamson who formed the first Scottish photographic studio.
Old family photographs hold lots of clues for genealogy researchers. Use these tips to help date photographs and unlock the stories they tell.
There seems to be a problem serving the request at this time. Skip to main content. Filter 3. All Auction Buy it now. Sort: Best Match. Best Match. View: Gallery view. List view. Vintage cdv Photo circa s portrait of woman,A. Schmidt Photog. Large Antique Photograph. Vernon Kaye. Felix Bonfils Freshwater sellers Cairo c. Victorian Daguerreotype photograph of a gentleman.
Italian immigration in late-Victorian Britain
Knowing how to kerryanne and hairstyles can be one of old photographs portray ancestors and other researchers. We decided at my old enough to the ceremony is when your wedding photography because you in toronto. Search dating old photographs.
Photographers of Great Britain and Ireland to Want to date your old family photographs? Fantastic sporting image of a Victorian lady archer.
It is based on the historic cartes de visite CdV , which was a type of small photograph patented in Paris, France, by photographer Andre Adolphe Eugene Disderi in , although it was first used before this. The photographer published pictures of Napoleon III in , which sky-rocketed the format into mass popularity, spreading through Europe, then to America and worldwide.
Vastly used in the Victorian era, they were a common fixture in households, measured approximately 9x6cm, and were mounted on a piece of card. Its popularity saw many households display copies of pictures of the Royal family. Cartomania follows on from the success of a previous one-day event, held in at the Treasure Hub in Northfield. They were wildly popular during the Victorian era.
Cartomania explores this early photographic phenomenon through the work of pioneering photographers, including the celebrated Aberdonian photographer George Washington Wilson. George Washington Wilson was born in the north-east in and began his career painting miniature portraits, making a name for himself among the middle classes and landed gentry, having trained in Edinburgh and London.
Victorian & Edwardian Photos 1
Over , photographs exist in collections at the National Library of Scotland, dating from the s to the present day. Mostly the photographs are part of the Archives and Manuscript collections , but others are held in our collections of maps , rare books and music , and in general collections and the Moving Image Archive. Often they are associated with other material — for example, in personal or organisational archives.
The first photographic portrait studio opened in Britain in any written information, printed or manuscript (i.e. hand-written), can assist in dating. the absence of smiles and laughter in Victorian portraiture, namely long exposure times.
The cabinet card was a style of photograph which was widely used for photographic portraiture after The carte de visite was displaced by the larger cabinet card in the s. In the early s, both types of photographs were essentially the same in process and design. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture.
Some cabinet card images from the s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion , gelatin or gelatin bromide paper. Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the s and started gaining acceptance in the s and s as the gelatin bromide papers became popular.
Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the s or after
Skip to main content Victorian Photography. Photography: A Victorian Sensation. Only 1 left in stock more on the way. An excellent little book on the early days of photography, published to accompany an exhibition last year at the National Museum of Scotland. I missed out on the book at the time, so it was good to get a copy, and look back on an excellent exhibition.
Jun 24, – Identifying and Dating 19th Century Photographs.
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Victoria and Albert Museum
Do you have questions about your vision health? Two young men stare out at me from a small old photograph. On the back, in my grandmother’s handwriting, is written “Grandpa King’s brothers.
Copies of images may be purchased direct through their site. Related information. We don’t offer advice on dating old photographs but you may find Gillian Jones’s.
The style of photographic product emerging from the studios changed over the years, and is of use in helping to determine the period they were produced. This section of the site attempts to give an overview of these changes as an aid to dating them alongside the photographer’s dates. The tables below illustrate some significant forms that are commonly seen. The dates tentatively given represent a ‘core’ period.
The first photographs commercially available in Glasgow were daguerreotypes, the first produced here in Because of their nature, they had to be protected behind glass. This also applies to a later technology, the ambrotype. A third early process produced ferrotypes or ‘tintypes’ which were cheaper. Some details of these are given in the table below. These were prints from a negative process, allowing many copies to be made. This format was patented in the late s, and proved so popular that many millions were produced in the following years.
Photographic albums were produced to accept this size, which served to reinforce the standard.